Sunday, October 3, 2010
Paris Fashion Week: Issey Miyake spring/summer 2011
Fujiwara, however, was thinking more of a fashionable 'ghost', an effect he created on the body with transparent layers, and softly wafting silhouettes that represented phantoms.
The models emerged from a cloud of dry ice, firstly in functional pieces in shades of white and black - anoraks over papery trousers, dresses shot with silver discs, or fan-pleated, and a spectral, full-length gown in open-work knit.
The ghostly effect was heightened with the appearance of strong-coloured kaftans, robes and batwing-dresses, in a new techno-mesh so light and fine, it almost appeared to float. A simple white silk shift featured a single wide-brush-stroke, hand-applied in black and red, by an unseen hand, the colours matched by the model's hair.
More complex patterning, based on raffia, rattan and wood-grain, was used for multi-pleated jackets and shorts, accessorized with straw cone-hats.
The finale featured spooky eye and dancing spot prints in black and white, and magical, folded and pleated trouser suits and kimono coats, in white, with a fine woven hint of black.
And then, like ghosts, the models disappeared into the mist.